|
       
|
RADLEY
BAYOU is a very lucky man.
By some twist of fate, he was allowed to develop
his skills and an enviable clientèle list (in that increasingly
fashionable outpost, Los Angeles) before being called upon to take
over the design duties at the much-beleaguered Halston design firm.
If Calvin Klein is going through his own personal version of hell
right now, he only has to think back on what happened to Halston
to feel that much better about himself. If memory serves—and it
does very well—Halston, a star designer of the ’70s and early ’80s,
sold his name to the J. C. Penney Corporation, with the expectation
that he would be given a free reign to run the company. No such
luck. Instead, he found himself on the outside looking, fell deeper
under the influence of drugs and alcohol and could only watch in
horror as his name and company was trashed beyond recognition. He
later died a broken man, with a legacy in need of a lot of TLC.
In the years after that, one designer after the
other came and went, each one failing to create a sustainable rebirth
of the Halston name and reputation. Mr Bayou, by virtue of wonderful
timing, is the right man at the right time for the job. And having
seen the spring 2004 collection, it is safe to say that the long-awaited
(and much-anticipated) rebirth of the Halston line as a house to
be respected and coveted has begun.
This collection of 20 strictly-edited pieces was
presented in a relaxed environment at the Royalton Hotel during
Market Week, and according to Mr Bayou, got its inspiration from
the ‘cover drawing of a beautiful wave’ of an antique Japanese art
book. ‘There is so much art to be found in the ocean,’ he told WWD,
‘the vivid colours and movement of the water really inspired me.’
He referred to this collection as ‘couture’, and
truly it was as the name suggested: Bradley Bayou for Halston
Couture Collection. In no way, shape or form did he attempt to resurrect
the dead. That would have been the most wrong-headed move on his
part. Instead, what he did was to put his own personal spin on the
Halston legend but retained the detail, workmanship and joie
de vivre the house was known for in the halcyon years. He was
very much of the season, in that he showed very pretty dresses in
a season when every man and his dog did pretty dresses. But his
dresses had a certain flair and style that was a cut above most
other designers’.
continued
In no way, shape or form
did Bayou attempt to resurrect the dead. Instead, what he did was
to put his own personal spin on the Halston legend but retained
the detail, workmanship and joie de vivre the house was known
for in the halcyon years
|