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Cheryl Gorski

Lucire spring–summer 2004

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   He is not a fan of men in mesh anything or super-tight, skinny-boy hipster pants. His clothes are instant American classics: foundation pieces like sturdy, versatile peacoats, the perfect winter shearling, the best khakis, warm chunky cashmere sweaters, and pre-softened utility pants that you will never, ever throw away.
   For his female customers, Mr Kors went all out. You want sexy swimwear? Here’s Carmen Kass in an orange high-waist one-piece number with a wrap-around leather belt accent. Honorable mention should also go to his brown–tan keyhole swimsuit with its double buckle front detailing (a shout-out to his equestrian-inspired collection of several years ago). Are you in the market for a new pair of jeans? Then why not pick up a pair of his skinny jeans with zippers at the ankle? They were a continuation of tough-girl look from last season and come in white cotton, denim and a dressy gold brocade print. I simply adored his bright yellow cashmere turtleneck sweater. The selection of jackets and overcoats he sent out ran the gamut from boxy shrunken casual jackets and lightweight trenchcoats to a deliciously sexy dyed yellow shearling vest. And how cute was his semi-sheer green and blue three-quarter-sleeve baseball shirt? And wouldn’t Paris Hilton look great in his orange and yellow striped knit miniskirt with its side lace-up detailing (paired with a white, wife-beater tank top)? Jacquetta Wheeler surely steamed up the room in that outfit.
   For evening, he continued the easy-does-it undertones in his orange quasi-flapper cocktail dress with gold windowpane accents and the exquisite goddess gowns that ended the show.


Narciso Rodriguez

NARCISO RODRIGUEZ is a man who reveres women and strives to design clothes that show them at their best at all times. And his spring 2004 collection was no exception.
   Inspired by his love of Brazil, he sent down the catwalk clothes designed to bring out the sexy inner goddess in his customers. It is a safe assumption to say that the corset and the manner in which it accentuates a woman’s figure was the jump-off point of this collection. The majority of the pieces shown have a slight flare at the hips, with his bound seam detailing playing an active role in defining the woman’s figure—even if she didn’t have one before she tried on the dress.
   With Mr Rodriguez, if you blink, you stand the chance of missing all the added details that make him the rising darling of both the Junior Leaguers and the downtown set. This include the discreet lavender stripe that runs down the middle of a tan knee length dress, the way in which the metallic stripes on each side draws the focus back to the waist of flowing tan evening gown. He used fan pleating on the back of a cream skirt and piping in other designs to further demonstrate his point the garments’ innate ability to flatter a woman.
   However, it was his evening designs that showed the full breadth of his skills. Still operating in his minimalist mode, his evening gowns were extremely sexy. Maybe that also had to do with his choice of models as well. Who can resist Carmen Kass in a flowing navy–black metallic silk square neck evening dress? She’s already a modern-day goddess and is made all the more so here. His white strapless column dress and the peach gown that followed were masterpieces of the genre. Mr Rodriguez’s talent seems boundless, and this may only be a small taste of what to come as he grows into his role as a full-fledged star on the New York fashion scene.

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Anna Sui’s spring 2004 collection was based on west-coast fun-in-the-sun sports—swimming, surfing and scuba diving—with its inspiration coming from Endless Summer (1966) and Step into Liquid (2003) and vintage beach party movies

TOP ROW: Michael Kors. ABOVE: Anna Sui took her inspiration from west coast water sports.

 

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